What encourages the curatorial practices of the duo Rest in Peace Farrah Fawcett (RIPFF), better known as Preteen Gallery, is the contemporary doubt and deception caused by the fail of the Modernist Project, post-Duchampian art, the absence of utopias, utopias and a revolution on art leading to a collectivization of private intellectual property, a contemporary means of communication, social networks, and the internet practices that cannot be distinguished from any post-conceptual artwork. All this is captivated by the libido of contemporary sexual hybridizations, subjectivity and post-Gay aesthetics. A wider explanation or statement can be read in the Ratpiss Manifesto.